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Tracks:
Process 15: 25
Dance Piece 04:57
Hummer 15.42
String 03:53
Affective 10:07
Include all rights reserved © Recorded straight to DAT stereo
by Phil Morton: no re-mix :
mastered by Ray Dickaty and Richard Walker at Hilly Fields, London
2005 P+ © FRAKTURE 2005
Ray Dickaty, tenor/soprano sax
Tim Downey, electric guitar
Ricardo Fernandez, piano
Dave Jackson, alto sax/alto clarinet
Simon Jones, violin
Marion Leibl, voice
Phill Lucking, trumpet/bass trumpet
Andrea Martin, double bass
Phil Morton, accidents and treatments
Neil Murphey, viola
Garfield Southall, electric guitar
Adam Webster, cello
John Whittington, electric guitar
Carlos Zingarro, violin
Matt Hamlet, electric guitar
Modern Classical meets Free Music in the meeting of large improvising
ensemble Frakture Big Band and violinist Carlos Zingaro
FCD 002 CORNERSTONE Live recording.
Late 2004 the long established FBB held a series of musical meetings
with Portuguese violin maestro Carlos Zingaro which culminated in
two very special recordings, a studio album "Funfzehn"
and a "Live" album, recorded at the prestigious Cornerstone
Festival of Contempory Music December 2004.
Both these recordings show a full range of influences, from Krautrock
to contempory classical and were wholly improvised "live to
tape" in real time.
At times conjuring up what could be Stockhausen or the ghost of
a long lost Kraut rock classic, the Frakture Big Band easily assimilate
found sounds, free improvisation and modern classical composition
into a unified whole.
Through sound listening and easy response, riffs, melodies, moods
and atmospheres are conjured up that hang in the air and change
the space and then are gone, Sometimes intense to the point of no
return and then lulling the listener along on an abstract ambient
journey the FBB with Zingaro is a successful meeting of many musical
minds into a unifying whole.
On the live recording, using the sound potential of the Cornerstone
theatre, a huge vaulted ceiling structure, the music gathers more
life and potential as the musicians arrange themselves into a series
of small and full group improvisations were the space becomes another
voice to use and be heard.
The meeting of Zingaro with the FBB has produced two records of
top level improvising that bears repeated listening.
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